His American work, mostly mainstream soft-focus fare like What’s Eating Gilbert Grape, Chocolat, The Cider House Rules, and Salmon Fishing in the Yemen, has been uneven, but he still has considerable strengths. He was definitely one to watch back in Sweden, when he broke out in 1987 with the powerful coming-of-age film My Life As a Dog. and make their career churning out tepid product. Over the years, he has become the poster boy for promising foreign filmmakers who come to the U.S. She can’t seem to emote very well, but she moves convincingly, and she’s actually compelling as a desperate fugitive on the run.įor some of the film’s charms we should also credit director Lasse Hallstrom. For her part, Hough, who built her fame on Dancing With the Stars, is a mixed bag. The former particularly seems well-suited to this sort of thing: He has just the right amount of grizzled charm to be one of those wounded hunks Sparks likes so much. There’s palpable chemistry between Duhamel and Hough. The film treats this as if it’s a twist, but it breaks the first rule of a proper twist: If it’s something all the relevant characters in the movie already know, it’s not a twist it’s simply a lazy, cheap screenwriting trick.Īs noted previously, the movie’s not all bad. (By the way, he’s so alcoholic that when he breaks into other people’s homes looking for clues about Katie’s whereabouts, he makes sure to drink their Scotch as well.) And we can sort of see why he won’t stop looking for her: He’s her husband. Meanwhile, Katie’s alcoholic, violent police pursuer back in Boston remains dogged in his attempts to find her. She brings him out of his shell and Teaches Him To Love Again™.
He brings her small-town normalcy and comfort. Then she proceeds to hit it off with local grocery-store owner Alex, who is still reeling from the loss of his wife some years before. She boards a bus and makes her way down South to a small coastal South Carolina town, where she cuts and dyes her hair blonde. We first see Katie as she desperately flees from a cop (David Lyons) who is angrily pursuing her. Then the rest of the movie happens.Īdapted from the novel by Nicholas Sparks, the story mixes the author’s typically swoony melodramatics with a light sprinkling of noir.
Neither of them remarks on it, even though we know they’re both very much aware of it. At one point, their bare shoulders touch. In close-up, their hands caress the sand the way they (and we) wish they could one another. They’ve gone on an impromptu trip to the beach, with Alex’s kids in tow, and the two lie in the sun, talking. It happens early on during the budding romance between mysterious fugitive Katie (Julianne Hough) and young, small-town widower dad Alex (Josh Duhamel). Josh Duhamel and Julianne Hough in Safe Havenįor one brief, glorious moment during Safe Haven, you can see the movie it could have been.
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